FUCK YEAH!
Ahem.
Anyhow, judging by the trailer shown at the end of Runaway Bride, and my general web snooping/reading of the Radio Times, this should be a good season. Lots of cool monsters, some really fun historical trips, and a big-budget story in New York city... me likey, it's getting more like the New Adventures novels every day, which is awesome 'cos they were fucking ace.
The first episode is likely not going to be anything special, they'll have to retread a lot of old ground about the Doctor character in order to introduce Martha, so my advice would be to wait until week two before starting to judge it too much. That said, I think this season will either make or break the new show, as Billie Piper was such a huge part of the relaunch, bridging the Doctors and generally being the go-to girl. Pretty much all of our revelations about the Doctor came from her POV, and she was built up as a thoroughly great character, knocking off even Ace and Sarah-Jane Smith for 'best-developed companion' honours, and as good as this new girl may or may not be, she'll struggle to capture the public like Rose Tyler did.
The trailer/preview thing for the episode looks nice, hospital on the moon and all that. Those monsters with the rhino heads look disturbingly like Sontarans, which I hope isn't referenced.
In 'classic Doc' news, I bought the New Beginnings DVD box set a while back, which has Keeper of Traken and Logopolis, Tom Baker's final two stories, with Peter Davison's introductory serial Castrovalva too. It's a really nice compilation, with a good running arc as the Master pops up in all three for the first time since Roger Delgado died, and Anthony Ainley is on fine form. Yay. The special features are awesome, especially the documentaries on Logopolis and Castrovalva, which feature Tom Baker actually opening up and being serious about his final months on the show, and why he left the programme. It's nice to see him actually opening up, 'cos usually he's very flippant about his time on the show. Plus, previously unseen rehearsal footage of him yelling at a director and throwing a, and I quote, "fucking silly prop", before imploring the hapless crew to "get on and shoot the damn dreary scene anyway" = ownage.
Yay all round.